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This features two body-doubles named Horst Stramka and Mandy Starship. The schizophrenic confusion of the film is foreshadowed in its prologue, a lustrous, black-and-white sequence of a married couple (Willem Dafoe and Charlotte Gainsbourg) making love, into which Von Trier tastelessly inserts a single shot of hard-core pornography. It is too slow and boring in its first two-thirds to appeal to fans of horror and pornographic erotica, yet too crude and violent in its final third to satisfy those who pride themselves on having an art-house sensibility.Īntichrist is a bonkers attempt to merge three extremely different genres - arthouse, horror and hard-core pornography
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Of all his films, Antichrist is the most openly, psychopathically hostile towards women.Īntichrist is a bonkers attempt to merge three extremely different genres - arthouse, horror and hard-core pornography - with predictably catastrophic results. It is partly because Von Trier has earned himself an unenviable reputation for misogyny through Breaking The Waves, Dancer In The Dark and Dogville. So why did Antichrist arouse jeers and critical catcalls at Cannes, especially from the French, who are not easily offended? And why has it brought forth so many demands that it be banned? They have a lyricism and a milky, dreamlike quality that evoke memories of the Russian film-maker Andrei Tarkovsky, to whom the film is dedicated. Parts of the picture are exquisitely crafted. Mad, bad and dangerous: Things take a nasty turn for Charlotte Gainsbourg and Willem Dafoe in Lars von Trier's Antichrist